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Film consulting / Orlando, FL
Serve it.
Your film's been cookin' long enough.
Film consulting for directors, creators, and brands with a project that keeps not getting made. We turn the idea into a budget you can defend, a schedule that fits, and a shoot day that actually runs.
Book a teardown
Bring the script, the deck, or the voice memo. We take it from there.
- Script breakdowns
- Line budgets
- Shoot schedules
- Set-day producing
The real problem
Your film doesn't have a money problem. It has a decisions problem.
Every fire on set started as a call nobody made in prep.
The hidden budget
The line items nobody wrote down.
You've probably heard a consultant is a luxury an indie budget can't carry. Fair. Now add up what you're already set to pay: the overtime hour, the reshoot day, the gear rented and never unpacked, the location that falls through at 6am. Those costs are already in your budget. They just haven't shown up yet. We make those calls early, on paper, with you, where they're cheap.
See how it worksLine itemStatus
- Overtime hourNot on paper
- Reshoot dayNot on paper
- Gear rented, never unpackedNot on paper
- Location lost at 6amNot on paper
TotalAlready in your budget.
How we work
Producer brain. Builder speed.
We run production planning on the same AI systems we build every day: breakdowns, budget models, shot lists, and schedules drafted, checked, and revised in hours instead of weeks. The judgment stays human. The busywork doesn't.
Built in Orlando
The work
Three ways in.
Start where your project actually is. Every engagement is scoped to one film, one budget, one finish line.
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The Teardown
One working session on your script or concept. You leave with a realistic budget range, a shoot-day count, and the three decisions that will sink the film if they stay unmade. The breakdown is yours to keep, whether or not we work together after.
Fixed fee
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Pre-Production Lead
We run prep alongside you: line budget, schedule, crew and gear plan, locations, shot list, and the call sheet for day one. You walk on set with every call already made.
Monthly retainer
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Producer on Retainer
Script to final export. Prep, on-set producing, post supervision, and a release plan for festivals, streaming, or your brand channels. One partner accountable for the finish line.
Retainer + set days
Every number is fixed in writing after the Teardown, before you commit to anything.
Start with a teardownHow it works
Script. Plan. Shoot.
Send the script
Or the treatment, the deck, the voice memo. We read everything before we talk, so the first call is about your film, not about us.
Get the teardown
A working session where the film gets broken into days, dollars, and decisions. You see what it really takes before anyone spends a cent.
Roll with a plan
Pick the level of support that fits. We lock the plan, build the team, and stay on it through the day you call wrap.
Who it's for
Sound familiar?
Indie feature
The script that's been done for two years
Every budget quote is a different number and none of them feel real. The teardown gives you one number you can defend to investors, and to yourself.
Brand film
The shoot that has to look expensive
Marketing wants cinema. The budget says one day. We plan that day down to the setup, so the money ends up on screen instead of in overtime.
Creator series
The channel ready for its first real production
You've outgrown the phone and the ring light. We map the crew, gear, and schedule for a series you can shoot on repeat without reinventing it every episode.
Questions
Before you ask.
Straight answers to what filmmakers ask first.
Our budget is tiny. Is this for us?
Especially. The smaller the budget, the more every mistake costs. A lost day on a big production is a line item. On an indie, it can be the whole film. The Teardown is built for exactly that math.
Do you replace a producer or line producer?
On smaller productions, we fill that seat. On bigger ones, we work next to your producer as the planning muscle so they can focus on the people. Either way, you know exactly what we own before we start.
What do I need before the first call?
Anything that describes the film: a script, a treatment, a deck, a rough outline. If it's still in your head, we start there.
How is pricing set?
After the Teardown, once the size of the film is clear. The Teardown is a fixed fee. Ongoing work runs on a monthly retainer, with set days quoted separately. Every number is in writing before you commit to anything.
Do you only work in Orlando?
We're based in Orlando and on set across Florida. Breakdowns, budgets, schedules, and post supervision work anywhere.
Where does AI fit in?
In the busywork: script breakdowns, schedule drafts, budget models, and the revisions that used to eat weeks. Every creative and production call is still made by a person, with you.
The shop
Ready when you are.
Things you can buy today, no call needed.
Links
Start here.
Your film's been cookin' long enough.
The Teardown: one working session that breaks your film into days, dollars, and decisions.
Bring the script, the deck, or the voice memo.
You leave with a real budget range and a shoot-day count.
Plus the three decisions that sink the film if they stay unmade.
The breakdown is yours to keep, whether we work together or not.
Bring the script.
Tell us what you're making and where it's stuck. We'll read it and come back with a time for your teardown.
A real person reads every message.
We only use your details to reply about your project. Nothing gets shared.